نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشکده هنر تهران مرکزی
2 دانشکده هنر دانشگاه تهران مرکز
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
This research examines the aesthetic and formal transformations of the Nasta'liq script, particularly in the treatise *Sirat al-Khatt* by Sultan Ali Mashhadi, using Gérard Genette's method of hypertextuality. Nasta'liq, as one of the most important Islamic scripts, is a delicate and fluid combination of the Naskh and Ta'liq scripts, and its evolution has been influenced by various factors, which are analyzed in this study as influential pre-texts.
Genette's hypertextuality method, one of the five branches of transtextuality, explores the relationship of derivation between texts and the pre-texts that shape a given text. In this research, religious pre-texts, Sufi tendencies, the role of artistic patrons, and the cultural circle of Herat are analyzed as factors contributing to the formation of the hypertext *Sirat al-Khatt*.
The findings of this study reveal that the hypertext *Sirat al-Khatt* has been influenced by religious, social, and cultural pre-texts. Specifically, Shiism and Sufi tendencies have manifested in a stabilized form within this text. Additionally, elements such as seclusion and solitude, the importance of learning from a master, and the emphasis on practice and repetition—principles rooted in Sufism—are clearly evident in this hypertext. Furthermore, artistic techniques and methods prevalent in the workshops of Herat, such as pen trimming, paper selection, burnishing, and sizing, have also influenced the text in a trans-textual manner.
The significance of this research lies in its examination of an authentic Persian calligraphic work within the framework of the cultural-artistic society of Herat during the Timurid era. It demonstrates that *Sirat al-Khatt* is not merely an isolated artistic work but rather the product of complex interactions among religious, social, and cultural pre-texts.
کلیدواژهها [English]
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