نوع مقاله : مقاله پژوهشی
نویسندگان
1 کارشناسی ارشد دانشگاه هنر اسلامی تبریز
2 استاد دانشگاه تهران
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
One of the most valuable practical and essential elements used in mosques is the pulpit. It is clear that this hand-made work has somehow been effective in the promotion and expansion of religion. A major part of the researches about minbars has been about the history of its construction, and few discussions have dealt with the aesthetic features and motifs used in it. are in Iran, where the study of the decorative and structural dimensions of these pulpits is the aim of the present research. This research has a qualitative nature and describes and analyzes the two pulpits and visually compares the roles in a descriptive-analytical and comparative method with reference to the data obtained through library and field methods. The answer to this question is what is the difference between the two minbars (Berzroud and Farizhand) in terms of appearance characteristics, patterns, inscriptions, construction, materials, etc.? In these works, there are various designs and motifs, decorations with geometric motifs. and plants, as well as inscriptions carved in Kufi and Naskh script can be seen. The execution method of the motifs is first meshed using the grid method, and then it is pasted on a background and then the inlay work is done on it. In the Borzroud pulpit, most of the designs have ½ mirror repetition, and in the Farizhand pulpit, the method of repetition is transmissive or ½ and ¼ mirror. The mentioned pulpits are in conflict in terms of seating, the form of the Frizhand pulpit is an altar shape and the Borzroud pulpit has a simpler structure, but it is more elaborate in terms of decorations.
کلیدواژهها [English]
)
