عنوان مقاله [English]
one of the main areas of mysticism in eastern Iran and the land of Khorasan. the buildings of this collection , with respect to religion and government , over time and from the seventh century A.H until the Qajar era , around the Tomb of sheikh-e Jam ( 441 - 536 ), one of the mysticisms of the 5th and 7 century A.H was formed and mirrors are represented in Iranian - Islamic art. Among the monuments of the complex, Gonbadkhaneh to focus on the formation of decorations, And the existence of an inscription in the Creation Time -narrative concept At the time of the " Al-e Kart kings " period , at the time of the late Ilkhanid rulers, It has a special study area where the Authors Aim of this study survey, analyze, and comprehensive explicate this inscription in order to achieve architectural chronology Further recognition of Gonbadkhaneh in terms of construction periods and artistic interpretation has been the decorative patterns of this work. According to this research, Gonbadkhaneh inscription is one of the few rare and historical monuments of Al-e kart inscriptions, with regard to the type of document, historical hierarchy, and narrative in terms of semantics and concept, the first known inscription in the Islamic architecture of Iran, with historical - narrative nature. This research has been done to answer these questions: (1) the text of the inscription on which historical, political, religious and religious themes are important. (2) Which Archetype Iranian - Islamic pattern can be addressed in decorating this inscription? the method in this research is descriptive - analytical and in addition to documents and field studies, the application of Iconographic method in order to examine the archetypes of array as a part of cultural component and scrutiny in artistic creation and utilizing laboratory analyses in order to determine the nature of color used in inscriptions and changes and chemical effects in them. The result of the research proved the fact that Gonbadkhaneh inscriptions in addition to the decorative usage in this building, including political, religious, initial history in the form of mysterious and a narrative of the founders of the renewal of this building is that the fields and its margins are decorated with archetypes derived from Iranian art.