نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشجوی دکتری پژوهش هنر، دانشکده پژوهش های عالی هنر و کارآفرینی، دانشگاه هنر اصفهان، ایران
2 عضو هیأت علمی دانشکده هنرهای تجسمی و کاربردی، دانشگاه هنر اصفهان، ایران
چکیده
کلیدواژه‌ها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
Geometry plays a crucial role in the design of structures in Iranian painting. such as painting, where a distinct visual language has emerged through the interaction between form and content, organized by geometric relationships and proportions. Therefore, the aim of this research is to study the calculated and purposeful geometric structure that aligns with the narrative theme depicted in the mentioned painting .For this purpose, the main research question is: how geometry has been integrated into the visual and content structure of the painting's hidden layers? Has the painter purposefully used geometry as a theme in the painting? In this article, the author employs the descriptive-analytical case method and library information collection techniques to comprehensively analyze the painting of The Prophet Muhammad’s Ascent to Heaven." The comparison and test results indicate that:1. In the Painting of The Prophet Muhammad’s Ascent to Heaven, the artist skillfully incorporates a meticulously planned arrangement of geometric and military elements. This creates a harmonious composition that effectively conveys the painting's theme.2.Moreover, the geometric symbols used in the painting express cognitive themes, irrespective of the total temporal, spatial, and technical conditions 3. The painter has employed the conventional technique of line drawing and integrated mathematical proportions and numerical relationships to organize the elements that make up the artwork.
کلیدواژه‌ها [English]
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