نوع مقاله : مقاله پژوهشی
نویسندگان
1 هیات علمی بنیاد ایران شناسی
2 گروه اسلامی پژوهشکده باستان شناسی پژوهشگاه میراث فرهنگی و گردشگری
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
Avoidance of symmetry in Seljuk brickwork is one of the accessible but Difficult to understand concepts of Islamic art. The use of bricks in a variety of geometric designs without observing the principle of symmetry in the edges of the building led to a dramatic change in the structure of the brick arrays of this period that has never been experienced in any historical period in Iran. Note that changes in the artistic structure of a traditional society do not simply take place, and the coincidence of these with the height and perfection of Iranian brick art has caused a contradiction in the art of this era that has so far received little attention. However, the Seljuk era brick work debate has been a highly repetitive topic in domestic and foreign research, and despite the principle of symmetry in Iranian art, little attention has been paid to the issue of Avoidance of symmetry in Seljuk-era brickwork Explaining and interpreting this deconstruction of the new social class (middle class) as the sponsor of production that followed a new taste is of great importance. Sponsors' taste and bricklayer enthusiasm for displaying their ability, created the style of pop art in brickwork of that era that's like all the pop arts was influenced by social structures and with the political and social changes after the Seljuk era Immediately forgotten. This research aims to reveal new aspects of Seljuk-era brick art that have been neglected so far. This research is based on historical-interpretive method and based on library resources.
کلیدواژهها [English]
زمرشیدی، حسین. (1380). پیونده و نگاره در آجرکاری. تهران: زمرد.
Stronach, D. B &Cuyler Young, T. (1966)" Three Seljuk Tomb Towers". Iran, vol. 4: 1-20
)