Sultan Muhammad was one of the greatest painters of the early Safavid period that he has had his work experience in the Turkmen art school, blends well with art school in Herat and Wonderful works to provide a second school in Tabriz. During his art era, he has many innovations in the field of painting, which have been affected the artists of his era and subsequent periods, and even many contemporary artists. Among these innovations can be referred to vitalize of nature. He has reached to the special expertise, especially in the painting of stone and mountain in human and animals. The main question is what the relationship between to vitalize of nature and patterns of rock paintings would be in the works of Sultan Muhammad. The main objective of this research is to explore the concepts of vitalize of nature in the rocks and mountains. The descriptive studies and analytic studies method was choosen to answer this question which is the main goal. By analyzing the image of nature that Sultan Muhammad used can to say that to vitalize of nature and the mountains and rocks to human or animal forms associated with the topic painting this is derived from the teachings of Islamic mysticism.
Najarpoor Djabbary, S., & Khadjeahmad Attary, A. (2015). Vitalize of Nature in Sultan Mohammad Works. Negarineh Islamic Art, 2(7.8), 84-96. doi: 10.22077/nia.2015.653
MLA
Samad Najarpoor Djabbary; Aliraza Khadjeahmad Attary. "Vitalize of Nature in Sultan Mohammad Works". Negarineh Islamic Art, 2, 7.8, 2015, 84-96. doi: 10.22077/nia.2015.653
HARVARD
Najarpoor Djabbary, S., Khadjeahmad Attary, A. (2015). 'Vitalize of Nature in Sultan Mohammad Works', Negarineh Islamic Art, 2(7.8), pp. 84-96. doi: 10.22077/nia.2015.653
VANCOUVER
Najarpoor Djabbary, S., Khadjeahmad Attary, A. Vitalize of Nature in Sultan Mohammad Works. Negarineh Islamic Art, 2015; 2(7.8): 84-96. doi: 10.22077/nia.2015.653
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