Castles of Chahar Mahal 0and Bakhtiari province are among the most valuable memorials (monuments) of Qajar dynasty and their archeological_ related ornament always have special manifestation. One of these ornaments is trelliswork of wood that has been used in different parts of these castles. Trelliswork is the art that has been used in archeological_ related ornaments such as tiling, brick working, molding, mirror working and especially wooden decoration of doors, windows, roofs, shrines and similar cases. Considering this unknown art and the extensive usage of wooden trelliswork ornaments in castles of Chahar Mahal and bakhtiari in roofs (ceils), doors, windows, valves and skirtings, in this research, the trelliswork of castles roof is merely considered for recognizing different sorts of nodes, using places and adaptive comparison; so this study has been done by analytic_ comparative method with field observation and data collection. According to the findings among the castles of province, wooden trelliswork ornaments were only used in the ceil of Chaleshtor, Dezak, Joneghan, Shalamzar, Surk and Bardeh castles. Among 13 different kinds of nodes used in ceils’ ornaments Lozenge_ square node had the most function and geometrical composition of these nodes and complexity and intricacy in internal spaces than external ones.
Ahmadi, A. A., & Asgharian, M. (2019). The Art of Wooden Gereh-chini on the Castles Roof of Chahar Mahal and
Bakhtiari. Negarineh Islamic Art, 5(16), 63-80. doi: 10.22077/nia.2019.2065.1175
MLA
Abbas Ali Ahmadi; Marziyeh Asgharian. "The Art of Wooden Gereh-chini on the Castles Roof of Chahar Mahal and
Bakhtiari". Negarineh Islamic Art, 5, 16, 2019, 63-80. doi: 10.22077/nia.2019.2065.1175
HARVARD
Ahmadi, A. A., Asgharian, M. (2019). 'The Art of Wooden Gereh-chini on the Castles Roof of Chahar Mahal and
Bakhtiari', Negarineh Islamic Art, 5(16), pp. 63-80. doi: 10.22077/nia.2019.2065.1175
VANCOUVER
Ahmadi, A. A., Asgharian, M. The Art of Wooden Gereh-chini on the Castles Roof of Chahar Mahal and
Bakhtiari. Negarineh Islamic Art, 2019; 5(16): 63-80. doi: 10.22077/nia.2019.2065.1175