Negarineh Islamic Art

Negarineh Islamic Art

Keyword Index
B
  • Buzkashi The Representation of Buzkashi Scenes on Polychrome Slip-Painted Ceramics Attributed to Nishapur: An Iconographic and Iconological Approach in the Samanid Period [Volume 13, Issue 31, 2026, Pages 23-38]
C
  • Ceramics The Representation of Buzkashi Scenes on Polychrome Slip-Painted Ceramics Attributed to Nishapur: An Iconographic and Iconological Approach in the Samanid Period [Volume 13, Issue 31, 2026, Pages 23-38]
E
  • Ethnography The Representation of Buzkashi Scenes on Polychrome Slip-Painted Ceramics Attributed to Nishapur: An Iconographic and Iconological Approach in the Samanid Period [Volume 13, Issue 31, 2026, Pages 23-38]
  • Expressiveness Recreation of Motifs and Modes of Expression in the Art of Tash‘ir during the Timurid and Safavid Periods with a Visual Approach [Volume 13, Issue 31, 2026, Pages 39-54]
F
  • Four Seasons carpet Analysis of the Four Seasons Carpet with Haddad's Signature Based on Gérard Genette's Transtextuality Approach [Volume 13, Issue 31, 2026, Pages 69-88]
G
  • Gérard Genett Analysis of the Four Seasons Carpet with Haddad's Signature Based on Gérard Genette's Transtextuality Approach [Volume 13, Issue 31, 2026, Pages 69-88]
H
  • Hadad Analysis of the Four Seasons Carpet with Haddad's Signature Based on Gérard Genette's Transtextuality Approach [Volume 13, Issue 31, 2026, Pages 69-88]
I
  • Iconography The Representation of Buzkashi Scenes on Polychrome Slip-Painted Ceramics Attributed to Nishapur: An Iconographic and Iconological Approach in the Samanid Period [Volume 13, Issue 31, 2026, Pages 23-38]
  • Iranian miniature painting The Throne as a Symbol of Sovereignty: The Discourse of Power in Timurid and Safavid Painting [Volume 13, Issue 31, 2026, Pages 89-110]
M
  • Motifs Recreation of Motifs and Modes of Expression in the Art of Tash‘ir during the Timurid and Safavid Periods with a Visual Approach [Volume 13, Issue 31, 2026, Pages 39-54]
N
  • Nishapur The Representation of Buzkashi Scenes on Polychrome Slip-Painted Ceramics Attributed to Nishapur: An Iconographic and Iconological Approach in the Samanid Period [Volume 13, Issue 31, 2026, Pages 23-38]
Q
  • Qajar Period Analysis of the Four Seasons Carpet with Haddad's Signature Based on Gérard Genette's Transtextuality Approach [Volume 13, Issue 31, 2026, Pages 69-88]
R
  • Reinterpretation Recreation of Motifs and Modes of Expression in the Art of Tash‘ir during the Timurid and Safavid Periods with a Visual Approach [Volume 13, Issue 31, 2026, Pages 39-54]
S
  • Safavid Period The Throne as a Symbol of Sovereignty: The Discourse of Power in Timurid and Safavid Painting [Volume 13, Issue 31, 2026, Pages 89-110]
T
  • Timurid period The Throne as a Symbol of Sovereignty: The Discourse of Power in Timurid and Safavid Painting [Volume 13, Issue 31, 2026, Pages 89-110]
  • Trantextuality Analysis of the Four Seasons Carpet with Haddad's Signature Based on Gérard Genette's Transtextuality Approach [Volume 13, Issue 31, 2026, Pages 69-88]
V
  • Visual Messaging Recreation of Motifs and Modes of Expression in the Art of Tash‘ir during the Timurid and Safavid Periods with a Visual Approach [Volume 13, Issue 31, 2026, Pages 39-54]